bachman house, 1948

This home was an already an existing structure when Bruce Goff got his hands on it. He was hired by engineer Myron Bachman to remodel an old home in Chicago to become one with Goff’s unique perspective of architecture and design. To meet this request, Goff completely restructured the exterior roof of the home and window openings. Once complete, the exterior of the house resembled that of an old, goth-like cathedral church. The roof came to a point at the top with extreme slants and features some odd placements of gorgeously curated windows. Goff changed the old exterior from wood to cladded brick and aluminum, giving off a vibe of industrial roots.

The house still stands strong today, and was actually officially declared as a Chicago landmark on December9, 1992. In 2014, the house went on the market, but had a hard time selling due to a lack of upkeep of the interior throughout the years. It eventually was sold, but the house is more used as a tour destination rather than a dwelling space.

Resource: https://webapps1.chicago.gov/landmarksweb/web/landmarkdetails.htm?lanId=1248

Sam and ruth van sickle ford house, 1950

Located just west of Aurora, Illinois sits a more than interesting structure of a home. Made up of three dome-like huts, Sam and Ruth Van Sickle call this place home. Featuring a windy driveway and a “rib cage” patio hut, this piece of Bruce Goff’s work begs the question, “why?” With so much uniqueness and specificity, this home was definitely designed for someone that could appreciate the creative mind behind its completion. Ruth Van Sickle Ford was the Director of the Chicago Academy of Fine Arts, who hired Goff to draw up a home that challenged reality. In return, Goff produced the Ford House.

At first glance, this house looks windowless and open, with the structure of hut rib cages. However, two out of the three domes are encapsulated with glass walls, while the third is considered a patio. It’s hard to understand how this structure has remained so beautiful and stable over the many years of its existence, but that just shows how much of a mastermind Goff is. He planned this design with the goal of making it sustainable and enjoyable for countless years to come. The Ford House still sits there today, confusing onlookers and satisfying those that step foot inside.

Resource: https://sah-archipedia.org/buildings/IL-01-089-0079

The Richardson Olmsted Complex

The Richarson Olmsted Complex (it’s bound to be haunted).

Henry Hobson Richardson, known as one of “the recognized trinity of American architecture,” is the father of the Richardsonian Romanesque architecture style. Richardson first developed this style during his work on the famous Richarson Olmsted Complex in Buffalo, New York, in 1870. Richardson’s style incorporated 11th and 12th century southern French, Romanesque characteristics. Richardson was presumably inspired by the architecture he saw during his studies at the Ecole des Beaux-Arts while in Paris during 1860. Romanesque architecture is characterized by its use of semi-circular arches, thick walls, large towers, and decorative arcading. The Richardson Olmsted Complex features many of the same qualities with two large towers, intricate arcades, and semi-circular windows throughout the building. It is made of large Medina red sandstone and brick. The roofing is copper-green and is sharply slanted. The building is made of a central administrative tower and five pavilion wards set back on each side, totaling eleven buildings in all. The buildings are all connected by two-story curved corridors.

Bavinger House, 1955

This house was built in 1955, at the peak of Bruce Goff’s incredible architectural mind. To many, this work is considered his best, with its eclectic style and mind-bending structure. The house features an unconventional interior, giving it the feel of being tucked away in a cave when in reality its foundation was on Norman, OK soil. The walls are made of quarried ironstone with placements of clear and blue glass scattered throughout. Overall, the house is very whimsical and magical, making it hard to believe that it rests within the county lines that also houses the University of Oklahoma. This shows how impressive and powerful Goff was with his work. He had the ability to make something so eccentric and movie-like yet extremely accessible. To me, this is what makes architecture so personal. It doesn’t matter what your style is or where home is for you; you can make beauty anywhere you are to match what you desire. And that’s exactly what Bruce Goff did.

The structure was demolished in 2016 due to a roof collapse and insufficient funds to keep it at the level of beauty it requires. Seeing the fall of this piece of artwork should be an encouragement to all of us to recognize and appreciate the work around us while we can. In a world that is constantly looking for the “next big thing,” we often lose sight of what we already have. While it’s a shame the Bavinger House is no longer around, it serves as a reminder that some of the most impactful architecture is right in front of our eyes.

Resource: https://www.archdaily.com/171574/ad-classics-bavinger-house-bruce-goff

The Box House, 2006

This building was built along the San Juan Mountains in Telluride, Colorado. Maya Lin’s original intent was to create the simplest form possible situated by an aspen forest. In essence, the house is a box within a box, with no other interior walls. Although this may cause privacy concerns to arise, each room can be cut off using the sliding doors. The Box House gives amazing views of the surrounding mountains, allowing for a 270 degree panoramic view as you move through the house. Framed shutters are placed on the exterior that can be opened up to allow for an extension into the landscape. This residence also incorporates the aspen forest into the building, with holes in the wooden floors being cut around the trees. I really like the juxtaposition of the box shape of the house with the mountains in the background. This stark contrast is especially present when the area receives a lot of snowfall.

https://www.mayalinstudio.com/architecture/the-box-house

Langston Hughes Library, 1999

Originally, this barn was created in the 1860s on Haley Farm in Clinton, Tennessee, lifted up above the ground on two cribs of logs. Maya Lin redesigned it, but wanted to keep the original integrity of the barn. She was able to keep the original exterior of the barn while completely redesigning the interior to have a much more modern look. A library is situated inside, as well as a study space that can either be incorporated into the larger space, or kept separate depending on who is using the space. This space also  provides beautiful views of a pond and the trees behind the barn, giving the occupants a quiet and relaxing area to work or leisure. I personally really like this building, and I appreciate Maya Lin preserving the exterior of the barn to keep the rustic feel while creating a more modern feel in the interior that makes the building a lot more warm and welcoming.

https://www.mayalinstudio.com/architecture/langston-hughes-library

Riggio-Lynch Interfaith Chapel, 2004

As Maya Lin states, “the design for the chapel comes from the Children’s Defense Fund’s motto: ‘Dear Lord be good to me / The Sea is so wide / and my boat is so small.’” The main part of the chapel resembles the boat described in this quote. Maya Lin wanted to create a juxtaposition with the existing buildings already in the area, with a stark contrast between the very straight and rectangular forms and the smooth, curved form of the chapel. Lin also wanted to create a space where many people could gather, inside or out. The outdoor space allows for a tent to be set up so people can gather and be shielded from the elements. The chapel was centered around the outdoor courtyard with connections to the administration building and other offices, allowing for the smooth flow of people between buildings.

https://www.mayalinstudio.com/architecture/riggio-lynch-chapel

Novartis Institutes for Biomedical Research, Cambridge Campus

Designed by Maya Lin, the Novartis Institutes for Biomedical Research was created to give off the character of a campus. This building contains a green space at the center, as well as a garden for the employees and the public. The research tower is set back away from the street, while many businesses reside along street level to create a very pedestrian-friendly environment. The lower portion of the building is dedicated to office space, meeting rooms and an auditorium that was designed with a focus on community and keeping employees engaged in an open working environment. The stone façade shown in the photo was inspired by a microscopic view of coral or bone, while the iron tower takes on a more systematic and mathematical approach. The intent was to tie in nature and mathematics with medical innovation for a company that focuses on medical research. 

https://www.mayalinstudio.com/architecture/novartis

San José City Hall

Retrieved From: https://en.m.wikipedia.org/wiki/File:San_Jose_City_Hall_-_panoramio.jpg

San José City hall serves as the seat to the San José municipal government and is located downtown and designed by Richard Meier. This piece of architecture served as the new centerpiece of the redevelopment of San José. Located in the heart of the city, this building serves as a physical symbol of the government. Meier wanted the focal point of City Hall would be the transparent dome, which stands out to anyone who passes by. The dome allows for a central meeting place inside the building, a large rotunda where all areas of the facility may be unified. The depths of this building include a three story council wing, public meeting rooms, retail spaces, and additional department offices. Not only did Meier ensure that this building logistically had everything it needed, but also that the sleek design impresses all who encounter it. The exterior finish is complied of stone, metal, glass, and concrete which provides this modern look. Overall, the building is technically and aesthetically successful.

The Unterhus houses, Peter Zumthor

The Unterhus Houses are vacation homes built by Peter Zumthor in Switzerland. They are made wood and are rather plain looking. To me they look like a shed that someone would have in their backyard. The front of the houses have glass walls allowing for natural light to fill the house. They also give you a great view of the landscape. The houses are built on the side of a hill. Even though these are modern summer homes they are built in a similar style to the other homes in the village. This seems to be what Peter likes to do. He will make some modern building but make it fit in with its surroundings, whether that’s the alps or a small village. These are nice homes, I just like darker wood so I wouldn’t live in one. 

https://divisare.com/projects/313232-peter-zumthor-ralph-feiner-the-unterhus-leis-ob-vals-switzerland

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